I am pleased to announce the publication of Protest and Propaganda: W. E. B. Du Bois, The Crisis, and American History, an essay collection I co-edited with UNC Wilmington art historian Amy Helene Kirschke.
As I indicated in a previous post, the book began as a conference panel
at the American Historical Association annual meeting in San Diego in
2010, and evolved into the first ever volume that looks at the history
of NAACP's The Crisis magazine and its relationship to W. E. B. Du Bois and 20th century American history.
The Crisis is one of the most important virtually untapped archives of twentieth century American history. As this project unfolded, more of The Crisis became available online, so I would anticipate even more scholarship on the magazine and its 100+ year history in the years to come.
Selected back issues of The Crisis are available through Google Books. Every issue from the first dozen years or so (1910-1922) are available as downloadable pdfs through the Modernist Journals Project, jointly sponsored by Brown University and the University of Tulsa. Also, volumes 25 and 26, spanning November 1922 through October 1923, are available through the University of Pennsylvania.
Here's a description of the volume from the University of Missouri Press book page:
In looking back on his editorship of Crisis magazine,
W. E. B. Du Bois said, “We condensed more news about Negroes and their
problems in a month than most colored papers before this had published
in a year.” Since its founding by Du Bois in 1910, Crisis has
been the primary published voice of the NAACP. Born in an age of Jim
Crow racism, often strapped for funds, the magazine struggled and
endured, all the while providing a forum for people of color to document
their inherent dignity and proclaim their definitive worth as human
beings.
As the magazine’s editor from 1910 until 1934, Du Bois guided the content and the aim of Crisis with
a decisive hand. He ensured that each issue argued for civil rights,
economic justice, and social equality, always framing America’s
intractable color line in an international perspective. Du Bois
benefited from a deep pool of black literary and artistic genius,
whether by commissioning the visual creativity of Harlem Renaissance
artists for Crisis covers or by publishing poems and short
stories from New Negro writers. From North to South, from East to West,
and even reaching across the globe, Crisis circulated its ideas and marshaled its impact far and wide.
Building
on the solid foundation Du Bois laid, subsequent editors and
contributors covered issues vital to communities of color, such as
access to resources during the New Deal era, educational opportunities
related to the historic Brown decision, the realization of basic
civil rights at midcentury, American aid to Africa and Caribbean
nations, and the persistent economic inequalities of today’s global era.
Despite
its importance, little has been written about the historical and
cultural significance of this seminal magazine. By exploring how Crisis responded to critical issues, the essays in Protest and Propaganda
provide the first well-rounded, in-depth look at the magazine's role
and influence. The authors show how the essays, columns, and visuals
published in Crisis changed conversations, perceptions, and even
laws in the United States, thereby calling a fractured nation to more
fully live up to its democratic creed. They explain how the magazine
survived tremendous odds, document how the voices of justice rose above
the clamor of injustice, and demonstrate how relevant such literary,
journalistic, and artistic postures remain in a twenty-first-century
world still in crisis.
Amy and I are very pleased to have collaborated with some noted scholars, including the University of Houston's Gerald Horne, a former prof of mine, historian of African American culture Shawn Leigh Alexander, and political scientist Bob Williams, who runs the fantastic WEBDuBois.org web site.
Here's the table of contents:
Preface,
Gerald Horne
The Crisis: A Record of
the Darker Races: An Introduction, Shawn Leigh Alexander
Chapter
1: W. E. B. Du Bois and Positive
Propaganda: A Philosophical Prelude to His Editorship of The Crisis, Robert W. Williams
Chapter
2: W. E. B. Du Bois as Print Propagandist, Amy Helene Kirschke and Phillip Luke
Sinitiere
Chapter
3: Art in Crisis during the Du Bois
Years, Amy Helene Kirschke
Chapter
4: “We Return Fighting”: The Great War and African American Women’s Short
Fiction in The Crisis, 1917-1920,
Barbara McCaskill
Chapter
5: W. E. B. Du Bois and The Crisis of
Woman Suffrage, Garth E. Pauley
Chapter
6: The Crisis Children’s Page, The Brownies’ Book, and the Fantastic,
Katharine Capshaw Smith
Chapter
7: God in Crisis: Race, Class, and
Religion in the Harlem Renaissance, Edward J. Blum
Chapter
8: W. E. B. Du Bois’s Prophetic Propaganda: Religion and The Crisis, 1910-1934, Phillip Luke Sinitiere
Chapter
9: The Crisis Cover Girl: Lena Horne,
Walter White, and the NAACP’s Representation of African American Femininity,
Megan E. Williams
Chapter
10: The Crisis Responds to Public
School Desegregation, Charles H. Ford and Jeffrey L. Littlejohn
Epilogue,
Amy Helene Kirschke and Phillip Luke Sinitiere
+++++++++++++++++++
Thanks for reading! Place your orders here and here.
